![]() What impact do you hope this film will have?ĭugald Maudsley, EP: We hope this film will have the same impact on the people who watch it as it had on us. ![]() Sequences, and what they can tell the viewer, come first and the information we want to convey about the science of our subject is told through those pictures. To us they are more than interviews - they are characters with interesting backgrounds, motivated by unique experiences that often interact in fascinating ways with their discoveries. The scientists also play a critical role. By that I mean that we start with a clear storyline driven by a clear thesis. How do you approach science storytelling?ĭugald Maudsley, EP: We approach science storytelling the same way we approach all storytelling – the story comes first. ![]() We also worked very hard on the writing of the story to make the ideas both easily understood but still sophisticated and detailed. In the end, we relied on the extraordinary talents of graphic artist Mark Alberts of Electric Square to visualize the ideas of director Jeff Semple, editor David Murray and executive producer, Dugald Maudsley. Our other major challenge was explaining some of the very complex concepts that viewers had to understand in order to grasp the amazing discoveries being made in this field. Robert Stickgold of Harvard University – and inject our host into that research as a human guinea pig. Our solution was to focus on the actual research being conducted by the best sleep scientists in the world – people like Dr. So, that was our greatest challenge: tell a story about sleep without showing anyone sleeping. ![]() The Nature of Things were very clear that they did not want to see sequence after sequence of subjects with wires attached to their heads sleeping away the night. Describe some of the challenges faced while making this filmĭugald Maudsley, EP: Sleep is not an easy subject to visualize. ![]()
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